Volume 45                                                              Issue 3

 

Next Meeting – March 11

At Tri Lakes Center - social hour 9:30 a.m., business meeting at 10:00. Refreshments will be provided by Rosalie Grubesic and Iola Pasquale.

On the Agenda

Spring Fine Art Show

PLAG Membership

 

Instead of a demo program, after the meeting we will have a discussion on the direction and goals of the Palmer Lake Art Group.  Here are some of the questions to be addressed:

Do we want to target a new younger membership?

What type of organization do we want to be?

Should we expand our mission?

Do we want more shows?

More internet presence?

Do we want more exchange programs with other organizations?

Should we sponsor "scholarships" to members whereby that member could go to a workshop and bring back a program or workshop for PLAG members?

How can we encourage a more enthusiastic volunteer spirit?

Do we want to continue having programs after the meetings?

Should we change the time and/or day of our meetings?

 

All this and any other concerns will be the topic of what will be a lively and productive discussion.  Please attend this meeting if you can.  If you cannot, please address any or all of these questions or any other ideas and e-mail Marcia Edwards and she will bring them to this important meeting. m.m.edwardsthepainter@gmail.com

 

 

Member News

Seven PLAG artists will be featured during the Rocky Mountain PBS Spring Fine Art Auction: John de Francesco, Margarete Seagraves, Craig Mildrexler, Pam Blaydes, Terri Erickson, Linda Roberts and Suzanne Jenne.  Everyone needs to complete their forms (Suzanne Jenne will forward these via email) and bring their artwork to the next PLAG meeting March 11.  Works of the Palmer Lake Art Group will be featured during the live auction which will be televised in April.

Many thank yous from the Brian Kopp family (the firefighter from Larkspur that was recently killed during an avalanche). The event raised $12,000 for the family!  Five artists from Greater Castle Rock Art Guild donated paintings, but thanks to the following people, PLAG had a very impressive showing:  Irmgard Knoth, Karen Sparling, Craig Mildrexler, Susie Rieple, Gloria Williams, Pam Blaydes, Jim Sawatzki, Sue Molick, John DeFrancesco and Suzanne Jenne. Thank you for your generous donations!

J  Happy Birthday!  ¯¯

Joy Baldwin, March 25

Mary Krucoff, March 28

 

[If your birthday isn’t mentioned, please notify

Mary Krucoff, (719) 488-8101]

 

From Craig Mildrexler:

I would like to thank all the artists who participated in the show, I thought the work was outstanding and PLAG presented a fine display of fine art.  I also would like to thank all those who assisted and volunteered.  Everyone was fantastic and a joy to work with. You all made my experience of chairing the event a blast! I was nervous at the onset, as this was my first time chairing something like this, and with everyone's help, it was a pleasure.

Thank you all!

 

Attention Acrylic Painters

 

Contemporary Acrylic Techniques Workshop
Date: 
March 7, 2009
Time: 
10:00-3:00
Location:  Grant Street Art Studios
 300 E. 19th Ave, Denver, CO 80203

Much of contemporary painting is knowing how to use materials in non-traditional ways.  Acrylics have so many possibilities and this workshop will cover some of the latest techniques.  Learn gel transfers of photocopies and drawings, pours, marbelizing, glazing, making skins for collage elements, how best to use fluid paints and new grounds to work on made from iridescent paint.  This is a great overview of acrylic paints and how to use the vast array of gels.  For any skill level to energize your process and give you some great new ideas.  All paint, mediums, gels, boards included with plenty to take back to your studio.
Fee: 80.00 includes all materials
Contact: Mary Morrison (morrison.mary@q.com) www.marymorrison.info

 

 

 

Deaths in the PLAG Family

 

Barbara Weber passed away January 29, 2009 at the age of 90. Barbara was very active in PLAG for over 20 years, serving as President in the 1980s. She ran the Barbara Weber Art Studio during the late 70s to early 80s where she gave art lessons, sold art supplies and the work of local artists. She was a substitute teacher for District 38 until well into her 80s, affectionately called the “Energizer Bunny” by the high school students. She worked in many different media and loved to pass on what she knew. “Barbara and I became steadfast friends and she would get all the news about PLAG from me – finally she joined and was a tremendous President. We would go on watercolor workshops when we weren’t fishing and sketching outdoors. I shall miss her deeply.” Patty Schmidt

 

Sandy Ranne passed away February 6, 2009. She was a member of PLAG from 2003 to 2008. She did not rejoin this year. She had been suffering from asthma and other breathing problems for some time. She was Kathy Kenda’s good friend and a wonderful person.

 

Grace Cullen’s husband Jim (James) passed away after a lengthy illness. There will be a vigil in St. Peter’s Church in Monument at 7 p.m. Tuesday, March 3 and a funeral at 10 a.m. Wednesday, March 4 also at St. Peter’s.

Cards may be sent to Grace at 3398 Lorraine Rd., Larkspur, CO 80118.

Our deepest sympathy and best wishes go out to Grace.

 

 

 


Paleolithic Cave Art

 

It’s often repeated that Picasso, following a private tour of the cave after World War II, emerged to say, “We have learned nothing in twelve thousand years.” Apparently, this visit never occurred, but the quote, whoever said it, retains its force, especially since modern dating techniques have shown that Lascaux is much older than was originally thought. It turns out we have learned nothing in 18,600 years.                                                              Gregory Curtis, “The Cave Painters”

 

 

The quality and consistency of the best painted work in caves, and the evidence of the time, expense and skill required to produce them, suggests that artists needed the collective support of something very like a studio. While it is true that some of the best cave paintings were painted by artists standing up or in some cases lying down or squatting, others required elaborate scaffolding, no different in principle from that used by Michelangelo when painting the ceiling of the Sistine Chapel. Some of the paintings were done on a gigantic scale or at heights many feet from the cave floor. The professional artists, then, needed not only platforms and scaffolding, whose existence at Lascaux, for instance, is betrayed by sockets cut into the walls, but assistants. The art is both detailed and monumental, oscillating designedly between simplification and elaboration, between stasis and extreme dynamism. Some Magdalenian artists clearly understood both the anatomy of the animals they depicted and their principles of motion, the result of intense observation over many years and of a self-discipline in rendering which suggests a long apprenticeship and extensive study.

The best of the Magdalenian paintings are magnificent. Indeed, seen in the depth and total silence of the caves, the images are awesome. There is nothing amateurish or provincial about this high art. The sheer bulk of these wild creatures, their untamed ferocity, their liberty of movement, their power but also their elegance, expressed in the tapering balance and apparent lightness of their limbs, is conveyed with masterly precision and economy of line. The tonal qualities, and the ingenious use of surfaces in the rock, suggest depth and even a kind of perspective. If we take into account the freshness of the pigments when the work was just done, and the impact of the lines and colors under the flickering light of primitive oil lamps, or flambeaux, we can imagine the force of the impact which this first artistic experience had on primitive humans, whose innocent eyes were unaccustomed to visual forms outside nature itself. That helps to explain why Magdalenian societies were prepared to devote such a high proportion of their scarce surplus resources to the creation of these art galleries.

It is likely too that cave art promoted the birth of a religious spirit. There is nothing in these art works as such to suggest religious purpose. But the conditions in which they were viewed, flickering torches bringing to life these fine representations with their deep colors out of the surrendering darkness, induced a sense of wonder and reverence. And as the people marveled at the way artistic skills could re-create nature, they became aware of the even greater miracle of nature itself, in the vast world beyond the cave, and asked themselves: who could it be who created that? Thus cave art was thought provoking, and the thoughts it provoked provided the impetus for men and women to lay the foundations of theories of life, and of the universe. Precisely because of its non-material, its metaphysical qualities, art became the father of religion.

 

- From Art: A New History, by Paul Johnson.


PALMER LAKE ART GROUP

 

Minutes of February 11, 2009 Meeting

 

Welcome: by Suzanne Jenne, no new members or Guests present

Refreshments:  provided by Shirley Hawkins and Ann Neal

Minutes from January meeting: No corrections or additions. Motion to approve by Marcia Edwards approved by all present.

Treasurers Report: by Sue Jenkins:

December 2008:  Deposits: $7,032; Checking Acct: 9,905.68; Expenses: 3,831.82

Includes:    $163.89 card swiper, 949.0 tax, 1,800 scholarship, 798.00 insurance, savings of $74.00

January 2009: Income: $1.62 interest on checking account; Expenses: $275.17;

Checking Acct: $9,320.09

February 2009:  Income: $592.00; Expenses: 245.51; Checking Acct: 9,366.58; Savings: 746.62; CDs: no report this year.

PLAG Winter Show: 18 registered members

               Income:          $550 registration fees; 7.00 donation for food; 35 toward post cards

               Total:            592.00

               Expenses:      114.95 post cards; 270 TCLA

               Total:             384.95

Announcements:

n       Plein Air Group -  John Defrancesco

Next meeting scheduled for Tuesday, March 3rd at 0930 to 1300 at the Gallery

n       Shirley Hawkins will teach a class on basket making at her studio the

third week in March

n       Eight new easels purchased from the awarded TLWC Grant money are available at the Gallery.

n       Discussion on recommendation for this year’s grant $ from the TLWC:

Need for portable day lights, set-up with lights, for painting still life at the gallery. Jana Towery will investigate how much money will be needed. Also needed are shelves for the storage areas.

n       It was requested to please turn down the thermostats at the Gallery when leaving the building in order to save utility costs. There are four thermostats: two in meeting room, one in bathroom and one in kitchen.

Winter Show Update    Craig Mildrexler

n       Craig thanked everyone for their participation in the show

n       Two sales at this time

n       Friday, Feb 27, 12 – 2pm pick up artwork.

PLAG Spring Show  -  June 2 – June 22 at TLCA

n       Need Chair person. Interested? Please contact Suzanne Jenne

New Business:

n       Discussion of how to increase our membership and move PLAG forward.

n       March meeting to include discussion of “Direction of PLAG”

Next Meeting:  Wednesday, March 11. Iola Pasquale and Rosalie Grubesic will provide refreshment. Meeting will be held at TLCA.

Program: lead by Jana Towery and Marcia Edwards on presentations of successes in our art endeavors.

 

Respectfully submitted,

Margarete Seagraves, Recording Secretary