Volume
44 Issue
10
|
Next Meeting – October 8 At our Gallery - social hour |
On
the Agenda
Report on
Christmas Craft Fair Christmas
Luncheon Winter Fine Art
Show |
Our annual Craft
Fair is only a few days away. We have had a great response from vendors - every
space is filled. We have a number of new vendors and an excellent variety of
goods.
Many
thanks to all the members who have volunteered to help, but more are
needed:
n Cash Register coverage – only one register is covered for Saturday,
our busiest day. We need volunteers to cover two more registers for the day.
Please let me know if you can cover
Cash
register training will be held Friday, Oct 3rd at
n
Bake
n
Donation
Table - Please label donated items also with code #36 and
a price.
With all of your
participation, we can look forward to a busy Oct 4th and 5th
weekend with lots of sales.
To volunteer please contact Margarete Seagraves, Chairperson, 719-487-1329 or e-mail seagml@compdsn.com.
è And please don’t forget – all members
are expected to contribute to the bake table (donation table as well if you are
a vendor in the fair). We need baked items for both Saturday and Sunday.
Remember that both the bake and donation tables are pure profit to our
Scholarship Fund, so get those ovens warmed up! ç
Member
News Items
|
Dave
Futey would like to remind
everyone that the Smokebrush Gallery is still looking for a few more
artists to decorate parking meters to be placed in various civic and business
locations with the change collected going toward homeless support
organizations. A few artists from PLAG have responded but he could use a
couple more. Contact Dave at dfutey@gmail.com or call 719-404-4081. |
Kathleen
Krucoff has sold one of her glass
jewelry pieces at the exhibit at the Denver Botanic Gardens in the Glass at
the Gardens show. She has posted a photo of the piece on her blog: http://kathleenkrucoff.blogspot.com/2008/09/glass-at-gardens-opening-reception.html |
Last
Chance for Dues!
|
J Happy Birthday! ¯¯ |
|
An updated
membership list will be published with next month’s (Nov.) newsletter. If you
have not yet renewed your membership, your name will be purged from the
roster. Dues are $25 individual, $30 family. Send your check payable to PLAG
or Palmer Lake Art Group to |
Susie Rieple, October 13 Patricia
Schmidt, October 14 Dick Bean, October 18 Linda Elliott, October 18 |
²²²
THE GOOD AND THE BAD ABOUT WORKSHOPS
by John DeFrancesco
Have you taken an art workshop this
year? I have and it was a wonderful
experience. But I often hear from fellow
artists that they had a disappointing experience in a workshop.
What
makes one workshop worthwhile and another dismal? Possibly many factors, but most likely it
boils down to the attitude and mindset of the student or the workshop leader’s
attitude, ability to teach, preparedness, technique and interest in truly
helping students.
Wow,
that sounds like the scale is tipped for or against the teacher. But let’s examine the good and the bad of
both sides. First the workshop
participant: “Good” are those who attend
with a positive, upbeat, friendly attitude, who have ALL the materials
suggested, who arrive and set up early and are ready to go on time. They have a specific idea of what they want
to learn from a particular artist-teacher (otherwise, why bother taking a class
with that person?). They pay attention
and do exactly what the instructor suggests in their work. Conversely, the “bad” may listen, but don’t
hear. They dive into their work by
applying all their old habits without ever giving new ideas or techniques a
fair chance to work. They simply want to
“create” art, which they could have done at home.
The
really “good” teachers I’ve experienced are first, it seems to me, really nice
people. They are friendly, not aloof
(bad) and are willing to spend equal time with each participant (good), not
just the better artists (bad). They have
prepared a curriculum that will take the class from point A to point Z. Others fly by the seat of their pants, are
fragmented and skip around, all of which confuse the student (bad). Some instructors simply demonstrate while
students watch, without ever giving personal one-on-one counsel (bad). Some “touch” your work, e.g., using a brush
to paint over your work (bad).
Assuming
that you are the perfect student, without any of the “bad” traits cited above,
let’s focus on how you can ensure that attending a workshop is a positive
experience for you.
n
Research
people whose work you like and you feel can advance your skills. You can do that by seeing art in magazines
and on the Internet, then contacting the artist to see if he/she teaches.
n
Check
out the satisfaction level of the instructor by talking to others who have
studied with the individual. If he/she
won’t give you names, that’s not a good sign.
n
Develop a specific purpose for taking the
class (e.g., you want to learn how to improve color mixing, or to apply glazes
to pottery, etc.).
n
Don’t
join a crowd. Some really good
instructors can handle 20 students in a week-long workshop, but for a day-long
event, the maximum should be about 10 or you may not get the attention you need
or want.
n
Don’t
decide on attending a workshop solely because it’s inexpensive. I once paid as much as the cost of a cruise
for a one-week workshop, but the instructor was worth every penny and then
some.
Finally, most artists have a tendency to be nervous about attending a workshop, especially one away from home or among strangers. Just remember it isn’t a competition and you won’t be judged. Leave your anxiety at home, stay loose and have fun.
²²²
Putting
Our Gallery To Good Use
The
Vaile Hill Art Gallery (PLAG house) is available for members to use for
workshops and painting get-togethers. If you want to schedule a time, contact John
DeFancesco at 488-0459 or at jdefrancesco522@comcast.net. John will conduct a workshop,
"Aquired Seeing," there on October 18. Contact him to sign up.
Reminder:
PLAG Plein Air Painters are requested to bring their plein air paintings to the
next meeting on October 8 for display.
The High Country Art
Association has a couple of spaces open at Herman Raymond’s Class/Studio.
Located in
PLAG’s website: www.palmerlakeartgroup.com. Add the address to your business card, tell
your friends to look us up, help us advertise our group.
Please Note: If you would
like to have an official PLAG member name tag, please contact Bruni
Berkowitz, (719) 488-2158, and she will order one for you.
Reminder: contributions to
the Newsletter are greatly appreciated. Also, please let me know about
exhibits, sales, etc. Call or email: Mary Krucoff, (719) 488-8101 or emkaymonument@q.com.
Deadline is the 25th of the month. Also Please Note:
if you haven’t received your newsletter by the 5th of the month, please
let me know. If you currently receive your newsletter via postal delivery and
would be willing to switch to email delivery it would save us the cost of
postage.
Minutes
of September10, 2008 Meeting
Welcome by Suzanne
Jenne, President
Minutes from Last
Meeting, August 2008 (published in the newsletter)
Update on PLAG’s
Christmas Arts and Craft Fair: Margarete
Seagraves
Baked
goods for both Sat and Sunday.
6. Donation table items needed for the
show.
Treasury Report
presented by Sue Jenkins, Treasurer
1. Summary:
Income: $455.00, Expenses: $368.44, Checking account
balance: $9,627.33, Saving: $744.46
CD
Balance: $4,130.29. Total Assets:
$14,502.08
2. Motion made to accept report by David
DeLorenzo and approved by those present.
Announcements:
Participants
of one or more painting sessions to bring one or more of their paintings to the
Gallery in October.
There
will be a drawing for participants.
Next
plein air session scheduled for Sept 18th at John’s Garden. Arrive
around
John
will also hold a workshop at the Gallery Saturday, Oct 18th from
One
was $807.30 and the other $849.68. Nancye Culbraith for Jana to select blinds
made motion. Seconded and approved.
Committee Reports:
New
members have been added.
Old Business:
Marcia
Edwards – Team Leader with:
Dave
Futey, John DeFrancesco, Jan Cashman, Donna Wagner and Nancye Culbraith
New Business:
Meeting Adjourned
Submitted by
Margarete Seagraves, Secretary